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・ Richard Samuel Chattock
・ Richard Samuel Elman
・ Richard Samuel Guinness
・ Richard Rudolph
・ Richard Rudolph (concentration camp survivor)
・ Richard Rufus
・ Richard Rufus of Cornwall
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Richard Rush (director)
・ Richard Rushton
・ Richard Russell
・ Richard Russell (doctor)
・ Richard Russell (Dow Theory)
・ Richard Russell (rugby league)
・ Richard Russell (XL Recordings)
・ Richard Russell Waldron
・ Richard Russell, Jr.
・ Richard Russell, Sr.
・ Richard Russo
・ Richard Rust
・ Richard Ruston
・ Richard Rutledge Kane
・ Richard Rutt


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Richard Rush (director) : ウィキペディア英語版
Richard Rush (director)

Richard Rush (born April 15, 1929 in New York, New York) is an American movie director, scriptwriter, and producer. He is best known for the Oscar-nominated ''The Stunt Man''. His other works, however, have been less celebrated. The next best-known of his movies is ''Color of Night'' — also nominated, but in this case for the Golden Raspberry Award. Rush also directed ''Freebie and The Bean'', an over-the-top police buddy comedy/drama starring Alan Arkin and James Caan. He co-wrote the screenplay for the 1990 movie ''Air America''.
== Biography ==
Rush spent his childhood fascinated by Marcel Proust and ''Batman'' comics. He was one of the first students of UCLA’s film program, and, after graduation, Rush worked to create television programs for the United States military showcasing the nation's involvement in the Korean War. While he agreed with the military’s involvement in the region, Rush’s participation in this largely symbolic conflict can be seen as a defining event for the director who later explained:
After his propaganda work, Rush opened a production company to produce commercials and industrial films. At the age of thirty, inspired by the neo-realism of French director François Truffaut’s ''The 400 Blows'', Rush sold his production business to finance his first feature ''Too Soon to Love'' (1960), which he produced on a shoestring budget of $50,000 and sold to Universal Pictures for distribution. ''Too Soon to Love'' is considered the first product of the "American New Wave." It also marked the second film appearance of Jack Nicholson (who starred in two later Rush films, ''Hells Angels on Wheels'' and ''Psych-Out'').
Rush directed three films for AIP in the late 1960s exploring counter-cultures of the period and also introducing racking focus, a technique Rush claims to have discovered and named.〔Graham, Aaron. (Review of ''The Savage Seven'', The Unknown Movies Page, BadMoviePlanet.com. ) Accessed Dec. 4, 2008.〕 Rush's first studio effort was 1970's ''Getting Straight'', starring Elliott Gould and Candice Bergen. The film did well commercially and was deemed by Swedish director Ingmar Bergman to be the "best American film of the decade." Rush's next movie, in 1974, was ''Freebie and the Bean''. For the most part, ''Freebie'' was critically panned.
In 1981, Truffaut was asked "Who is your favorite American director?" He answered, "I don’t know his name, but I saw his film last night and it was called ''The Stunt Man''."〔Henderson, Jason. ("New on DVD: "The Stunt Man," ) ''Austin Chronicle'' (Jan. 18, 2002).〕 The film, which took Rush nine years to put together, was a slapstick comedy, a thriller, a romance, an action-adventure, and a commentary on America's dismissal of veterans, as well as a deconstruction of Hollywood cinema. The film also features Rush's typical protagonist, an emotionally traumatized male who has escaped the traditional frameworks of society only to find his new world (biker gangs in ''Hells Angels on Wheels'', hippies in ''Psych-Out'') corrupted by the same influences. ''The Stunt Man'' won Rush Oscar nominations for best director and best script.
When ''Air America'' showed signs of trouble during development, Rush was given $4 million to walk away from the project. This allowed the studio to cast Mel Gibson and Robert Downey, Jr.
Rush did not direct another film for fourteen years — 1994's critically panned ''Color of Night''. Afterward, Rush retreated from the world of commercial cinema. As Kenneth Turan of ''The Los Angeles Times'' wrote, Rush’s career seems to be "followed by the kind of miserable luck that never seems to afflict the untalented."〔Turan, Kenneth. ("Movie Review: A 'Night' of Mystery, Murder and Passion," ) ''Los Angeles Times'' (August 19, 1994).〕
His most recent project is a DVD documentary on the making of ''The Stunt Man'' entitled ''The Sinister Saga of Making'' The Stunt Man (2001).
He currently resides in Bel Air with his wife Claudia. He has an older brother, Dr. Stephen Rush who also resides in Los Angeles.

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